Embossing FoilI've finished the silk and silver medallions quilt, I just haven't been able to take a satisfactory photo. I'm working on it, and hopefully will have something to show soon.
In the meantime I have been working on some other foil embossing projects. Here is a piece featuring a multitude of textures on crumpled foil:
This is a digital painting, done in MetaCreations Painter 5. I started with a picture from the public image file reference site, morguefile, of crumpled foil:
The photo seems to be of two pieces of foil, I was interested in the way the section in the bottom left area looked. So I copied and pasted some pieces of that section over areas of the second piece of foil. That seemed tedious, so when I got 3/4 of it done I decided to crop the photo and go from there. I used the impasto plug-in in Painter, set to pick up paper texture, working on a clone so I could pick up the clone source color. The brush I used was an air brush. So much gibberish to most readers, I am sure, but I have gotten some questions about specifics from previous posts on Painter, so I thought I would give some basic details to anyone interested. The embossed frame is also done with the impasto plug-in, set to uniform, using the scratchboard tool and dialing up the variability slider on the color pallet (medium gray selected).
I have also been expanding on the technique I used for the medallions, they make nice pins when put together with a few beads:
The one in the bottom picture turned out the best because it uses the heaviest-weight sandpaper for backing, and it is nice and stiff. The others have backings of standard weight fine grit paper, easier to sew on for medallions, but just a little flimsy for this application.